tripscan_top
差分
この文書の現在のバージョンと選択したバージョンの差分を表示します。
| 両方とも前のリビジョン 前のリビジョン 次のリビジョン | 前のリビジョン | ||
|
tripscan_top [2025/12/25 16:10] 146.70.181.249 |
tripscan_top [2025/12/27 17:23] (現在) 64.31.3.126 |
||
|---|---|---|---|
| ライン 2: | ライン 2: | ||
| High production costs, flat ticket prices | High production costs, flat ticket prices | ||
| Data from the Broadway League show the industry had its highest-grossing season in a decade this year, with over 14 million people attending shows. | Data from the Broadway League show the industry had its highest-grossing season in a decade this year, with over 14 million people attending shows. | ||
| - | [[https://trips62.cc/|трипскан сайт]] | + | [[https://trips62.cc/|trip scan]] |
| However, none of the 18 musicals that opened last season, made a profit as of late September, according to the New York Times. Laks said the prevailing wisdom for the industry is that only one in 10 shows will make their money back. | However, none of the 18 musicals that opened last season, made a profit as of late September, according to the New York Times. Laks said the prevailing wisdom for the industry is that only one in 10 shows will make their money back. | ||
| - | [[https://trips62.cc/|трипскан]] | + | [[https://trips62.cc/|trip scan]] |
| For example, producing “Boop” — the colorful show centered around Betty Boop in modern New York City — cost around $26 million. The musical ran for about four months this year and, according to the Times, failed to recoup its investment. | For example, producing “Boop” — the colorful show centered around Betty Boop in modern New York City — cost around $26 million. The musical ran for about four months this year and, according to the Times, failed to recoup its investment. | ||
| - | [[https://trips62.cc/|трипскан сайт]] | + | [[https://trips62.cc/|tripscan top]] |
| “It’s just so difficult for (producers) to get their money back. These shows are now upwards of $25 million. Ten years ago, you could have a musical on Broadway that was probably in the $13 million range,” said Jim Kierstead, a Broadway producer whose over two dozen credits include “Kinky Boots” and “Waitress.” | “It’s just so difficult for (producers) to get their money back. These shows are now upwards of $25 million. Ten years ago, you could have a musical on Broadway that was probably in the $13 million range,” said Jim Kierstead, a Broadway producer whose over two dozen credits include “Kinky Boots” and “Waitress.” | ||
tripscan_top.1766679038.txt.gz · 最終更新: 2025/12/25 16:10 by 146.70.181.249
特に明示されていない限り、本Wikiの内容は次のライセンスに従います： CC Attribution-Share Alike 4.0 International
